Tag: Protest Music

Oct 22 2011

Popular Culture (Music) 20111021: The Mamas & The Papas

I do not always write about bands that I particularly like, and this one of those times.  While they were quite popular at the time, none of the songs released by the band were very important in the grand scheme of music in my opinion.

The band formed in 1965 and by 1968 was no more, as they wanted solo careers.  We see how well that worked out for them with one exception.  The reunited for a couple of months in 1971, but not much came of it.  Their entire existence sort of reads like a soap opera, and we shall hit the high (this is quite a pun) parts of it during this piece.

Even though they are still remembered, they only had six songs to chart in the Top 10 in the US, and only two or three of those are remembered by more than real hardcore fans of them.  “Monday, Monday” and “California Dreaming” are about all there are known to most folks.

Oct 08 2011

Popular Culture (Music) 20111007. The Who. Odds and Sods part II of II

We had a really good time with Part I last week!  I very much appreciated all of the comments and suggestions that folks sent.  Now we are ready for Part II, and it gets even better!

This week we shall look at the bonus tracks that were included on the 1998 remastered CD, some of them previously unavailable except as bootlegs.  Some of them are quite good, by the way.  Of course, there are several stories to go along with them so we had better get started.

Oct 01 2011

Popular Culture (Music): The Who. Odds and Sods Part I of II

Odds and Sods was the third “canonical” compilation album released by  The Who, released 19740928, almost exactly 37 years ago today.  

In the US the record was released by MCA, and in the UK by Track.   There is some discrepancy as to how the record charted, some references saying #10 and #15 in the UK and US, respectively, whilst others indicate #10 and #8.

This is one of my favorite records, since it contains material not previously released, some of which is amongst their best.  It also marked the final release of material that I consider “classic” Who, since the next studio album, The Who by Numbers, was a considerable departure from their old sound, a trend already started by Quadrophenia, discussed here and here.

All of the material was previously unreleased, except “I’m the Face” which we shall discuss in a bit.  None of the material on the record was specifically recorded for it, but rather were studio tapes recorded months to years before it was compiled and released.

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