Tag: Protest Music

James Joseph Croce (aka “Jim”), was born on 19430110 in South Philadelphia.  If a tragedy had not intervened, he likely would still be with us.  Unfortunately, he was killed in an aeroplane crash on 19730920, not yet 31 years old.

Croce had the unusual ability to write both comedic and serious material with aplomb (I always wanted to work that word into a piece).  Only a few writers have been able to do this, and for the most part he wrote his own material.  He did record some material written by others, but what artist has not?

He also had the ability to attract a very diverse listenership.  My father was about as opposed to popular music as could draw breath, but love “You Don’t Mess around with Jim”!  Let us take a few minutes to look at the way too short life and listen to some of the work of this talented writer and performer.

First of all, I apologize for missing Wednesday’s installment of My Little Town.  If anyone is interested why, I shall be happy to explain in the comments.  Briefly, yesterday was very busy.

The Lovin’ Spoonful were a short lived band that several well known hits.  Their music was more catchy than substantive, but better than much of the pap that was available at the time.

This is the only time that I intend to write about them, but they were quite popular for a few years.  There is controversy about the origin of the name for the band, and we shall address that first.

Love songs are a huge part of popular music, and have been since liturgical music lost its primary place.  I certainly shall not try to cover centuries worth of love songs, but rather just give a few that I particularly like.

We shall cover the mid 1950s to the fairly recent era.  Since I have not kept up with popular music for some years, I leave it to readers to contribute more recent contributions.

Dr. Hook and the Medicine Show were sort of a strange band.  Whilst they were not nearly as profound as bands that I prefer, they were also not annoying.  They did not pretend to be profound, and some of their early material was actually pretty good.

They are best remembered for “The Cover of the Rolling Stone“, a piece that I found to be quite witty and clever.  They did an excellent job of self parody on this number, and it paid off for them in that they did indeed make it there after it charted.

I intend to concentrate on the years from 1968 to 1976, although they in various reincarnations continued for a long time thereafter.  Most of their good material is from that era.

I must first offer my apologies to Peter Townshend.  Pete, sorry, but I think that you would probably approve of this.  Please know that I mean no disrespect to the original song.  This is just political satire using one of your standards.

Normally I do not write highly political pieces, that function being done far better by others here, but tonight is an exception.  I hope that this gets my feelings about how the Republicans have taken what should be a foregone conclusion and twisted it to try to make their point, whatever that point is.  I have tried to be witty and not mean with it, but when talking ’bout Republicans sometimes it is difficult to keep from getting mean.

Those of you who have been reading this series know that this will be the last installment about the history of The Who.  Although The Who continued to record new material and tour after 1978, to me the band really ended then and what was left was sort of what we now call a tribute band.

For 1978 to be such a disaster, it started off well enough, actually really well.  The Who were at the top of their game insofar as business interests went, Townshend, after being burnt by Kit Lambert, with whom he never reconciled, developed a high degree of business acumen, and The Who as a band were never strapped for cash again, although Moon and Entwistle had chronic money woes because of their lifestyles.  Daltrey was pretty conservative and also had a fairly successful acting career post 1978.

Although it pains me greatly to write this last installment, we might as well get on with it.  There are a number of ironies in 1978, and I shall point them out as we encounter them.  Please follow after the fold.

Last time we looked at the extremely busy 1976, a year filled with touring in Europe, the UK, and especially in North America.  It turns out that 1977 would be relatively quiet from that perspective, but quite lively from some others.

Townshend was burnt out from touring, and, interestingly, Daltrey was as well.  He even turned down a lucrative set of North American opportunities, saying that he could not devote the emotion and energy to a solo tour that he should reserve for future tours with The Who.

On the other hand, Entwistle and Moon lived to tour, but did not.  Moon never really had the wherewithal to tour solo, and the last time that Entwistle did he lost lots of money.  So they pretty stayed put for 1977.

Last time we looked at 1975, and if anything 1976 was a bit more settled for The Who in some respects.  Most of their time was spent doing a huge tour, with multiple Atlantic Ocean crossings.  There were a couple of reasons for that.

Likely the largest reason was that the dispute betwixt the band and Kit Lambert was still in litigation, and it was sort of difficult to release old material, and new material was still being written.  They were stuck in a way just to perform live.  That was to my personal advantage, and more on that is to come later.

One the whole, the band were probably at their best musically in 1976.  The exception was Moon, who was beginning to accelerate his decline both personally and musically, but that did not come out until sort of late in the year.

If 1974 had been a bizarre year, 1975 was more structured in some ways.  Several events happened in 1975 that were important to their financial security, for both good and ill.

The most significant events of 1975 were the release of the motion picture Tommy, the release of The Who by Numbers, and the beginning of a huge tour of Europe, the UK, and North America.  Now, there were certainly some problems associated with all three of these events, but 1975 turned out to be a pretty good year for them.

However, Townshend was not a really good frame of mind for much of the year.  He was very unhappy with his place in the band and whether or not there even should be a band called The Who, at least with him in it.  It is sort of an interesting turn of events that kept them together, and there is more on that later.

Whilst 1973 was a roller coaster year, 1974 was downright bizarre.  The main reason for that was the extreme domination of time and energy by the film version of Tommy.

This is as close to writing a piece about that motion picture as I am going to get, because I really did not like it very well, and though that it was just a caricature of the outstanding album.  I also blame that motion picture in part for the demise of Moon a few years later, mostly because of Moon’s relationship with Oliver Reed.

This year also provided a dearth of material from the band, with only two singles and one album being released.  There were also personal conflicts, particularly betwixt the band and their management.