December 2013 archive

Yes, quite literally the NSA will be watching every keystroke you make on you computer, cell phone, or i-pad. How you say? Quite simply collusion with the the telecommunications industry along with companies like Microsoft and through its special unit of hackers within the agency’s department for Tailored Access Operations (TAO). In an article in Der Spiegel, these specialists are described as as “master carpenters” who step in when the usual hacking and data-skimming methods fail. These hackers at ANT, which may stand for Advanced or Access Network Technology, step in with their special tools to get the job done.

These NSA agents, who specialize in secret back doors, are able to keep an eye on all levels of our digital lives — from computing centers to individual computers, and from laptops to mobile phones. For nearly every lock, ANT seems to have a key in its toolbox. And no matter what walls companies erect, the NSA’s specialists seem already to have gotten past them.

This, at least, is the impression gained from flipping through the 50-page document. The list reads like a mail-order catalog, one from which other NSA employees can order technologies from the ANT division for tapping their targets’ data. The catalog even lists the prices for these electronic break-in tools, with costs ranging from free to $250,000. [..]

Some of the equipment available is quite inexpensive. A rigged monitor cable that allows “TAO personnel to see what is displayed on the targeted monitor,” for example, is available for just $30. But an “active GSM base station” — a tool that makes it possible to mimic a mobile phone tower and thus monitor cell phones — costs a full $40,000. Computer bugging devices disguised as normal USB plugs, capable of sending and receiving data via radio undetected, are available in packs of 50 for over $1 million. [..]

The ANT division doesn’t just manufacture surveillance hardware. It also develops software for special tasks. The ANT developers have a clear preference for planting their malicious code in so-called BIOS, software located on a computer’s motherboard that is the first thing to load when a computer is turned on.

In another article at FDL‘s Dissenter, Peter Van Buren notes that private enterprise have also become the “tools of the national security state”

Once the NSA identifies a “target” (whom we’ll refer here to as “You”), the NSA needs to know when You order a new laptop they want to intercept. That means the NSA has to spy on Your credit card, Your online activities and/or probe into the ordering systems of places like Amazon, Dell and the like. Perhaps there is a sort of “no fly” list distributed to manufacturers that requires notification to the NSA when someone like You on it buys something. Or all of the above.

The NSA then must know when and how Your laptop will be sent to you. That means they need to have been accessing the computer systems of Amazon, Dell and the like, and/or UPS, Fedex and other shippers. Or all of the above.

The NSA then has to have physical access to the warehouse of the shipping company. Or, the shipping company has to agree to mark your package, and deliver it instead to an NSA location. That all means the shipping companies are in on the NSA plot, or the NSA has to be hacking into the shipping companies’ data systems and substituting their address for Yours.

Once in NSA hands, Your package has to be opened, and Your laptop must be altered in some undetectable way. They can’t steam open a box like a letter in the old movies; someone has to open it physically and then get it all buttoned up again without a trace. Does the NSA have a way to unstick packing tape and reseal internal bags, or do they have a ready supply from Dell and Apple of packing materials?

Lastly, the NSA has to return the package into the shipping stream. That means the box, with say Amazon’s return address and Your home address, has to reenter say Fedex’s system from a third location without too many people knowing it happened. It would not do for the low-level UPS guy to pick up a ton of boxes everyday from a nondescript warehouse, all with third-party address labels. This strongly suggests cooperation by the shipping companies.

You then open Your new laptop on Christmas morning. Yeah, be sure to select a secure password. [..]

What we have here is an example of the depths into which You have fallen. The government has recruited private industry into its national security state, down to the level of the Fedex guy delivering packages to Your door in time for Christmas. For those of You who still foolishly insist that such spying is OK because they “have nothing to hide,” I sure as hell hope You are right, because whatever You do have now belongs to Them.

It is fairly certain that whether or not the NSA will be allowed to continues its bulk collection of data will be argued before the Supreme Court after two conflicting ruling from lower courts on the constitutionality of the program. Jameel Jaffer, ACLU deputy legal director and director of its Center for Democracy; and Glenn Greenwald, the journalist who first broke the story about Edward Snowden’s NSA leaks joined Amy Goodman at Democracy Now! to discuss the court rulings and how the NSA can literally watch every keystroke you make.

Thank you, Edward Snowden.

ave you checked out Black Agenda Report?

You really should.

Transcript

Transcript

Transcript

“Punting the Pundits” is an Open Thread. It is a selection of editorials and opinions from around the news medium and the internet blogs. The intent is to provide a forum for your reactions and opinions, not just to the opinions presented, but to what ever you find important.

Thanks to ek hornbeck, click on the link and you can access all the past “Punting the Pundits”.

Follow us on Twitter @StarsHollowGzt

Dean Baker: The corruption of the economics profession

The public needs expert guidance on economic issues, but moneyed interests have gotten in the way

It is remarkable that the public has been convinced that the earth revolves around the sun. This is remarkable because we can all look up in the sky and see the sun revolving around the earth.

Most of us are willing to believe the direct opposite of what we can see with our own eyes because we accept the analysis of the solar system developed by astronomers through many centuries of careful observation. The overwhelming majority of people will never go through the measurements and reproduce the calculations. Rather, our belief that the earth revolves around the sun depends on our confidence in the competence and integrity of astronomers. If they all tell us that the earth in fact orbits the sun, we are prepared to accept this view.

Unfortunately the economics profession cannot claim to have a similar stature. This is both good and bad. It is good because it doesn’t deserve that stature. Economists too often work as hired guns for those with money and power. It is bad because the public needs expertise in economics, just as it needs expertise in medicine and other areas.

Sen. Bernie Sanders: 2014: Seize the Moment

The Congress has just ended one of the worst and least productive sessions in the history of our country. At a time when the problems facing us are monumental, Congress is dysfunctional and more and more people (especially the young) are, understandably, giving up on the political process. The people are hurting. They look to Washington for help. Nothing is happening.

In my view, the main cause of congressional dysfunction is an extreme right-wing Republican party whose main goal is to protect the wealthy and powerful. There is no tax break for the rich or large corporations that they don’t like. There is no program which protects working families — Social Security, Medicare, Medicaid, food stamps, affordable housing, etc. — that they don’t want to cut.

But the Democrats (with whom I caucus as an Independent) are most certainly not without fault. In the Senate, they have tolerated Republican obstructionism for much too long and allowed major legislation to fail for lack of 60 votes. They have failed to bring forth a strong and consistent agenda which addresses the economic crises facing the vast majority of our struggling population, and have not rallied the people in support of that agenda.

This is your morning Open Thread. Pour your favorite beverage and review the past and comment on the future.

Find the past “On This Day in History” here.

December 31 is the 365th day of the year (366th in leap years) in the Gregorian calendar. The last day of the year in the Gregorian calendar, it is widely known as New Year’s Eve.

On this day in 1759, Arthur Guinness signs a 9,000 year lease at £45 per annum and starts brewing Guinness.

Guiness is a popular Irish dry stout. Guinness is directly descended from the porter style that originated in London in the early 18th century and is one of the most successful beer brands worldwide.

A distinctive feature is the burnt flavour which is derived from the use of roasted unmalted barley (though this is a relatively modern development since it did not become a part of the grist until well into the 20th century). For many years a portion of aged brew was blended with freshly brewed product to give a sharp lactic flavour (which was a characteristic of the original Porter).

Although the palate of Guinness still features a characteristic “tang”, the company has refused to confirm whether this type of blending still occurs. The thick creamy head is the result of the beer being mixed with nitrogen when being poured. It is popular with Irish people both in Ireland and abroad and, in spite of a decline in consumption since 2001[1], is still the best-selling alcoholic drink in Ireland where Guinness & Co. makes almost €2 billion annually.

The company had its headquarters in London from 1932 onwards. It merged with Grand Metropolitan plc in 1997 and then figured in the development of the multi-national alcohol conglomerate Diageo.

Arthur Guinness started brewing ales from 1759 at the St. James’s Gate Brewery, Dublin. On 31 December he signed (up to) a 9,000 year lease at £45 per annum for the unused brewery. Ten years later on 19 May 1769 Guinness exported his ale for the first time, when six and a half barrels were shipped to England.

Guinness is sometimes believed to have invented stout,[citation needed] however the first known use of the word stout in relation to beer appears in a letter in the Egerton Manuscript dated 1677, almost 50 years before Arthur Guinness was born.

Arthur Guinness started selling the dark beer porter in 1778. The first Guinness beers to use the term were Single Stout and Double Stout in the 1840s.

The breweries pioneered several quality control efforts. The brewery hired the statistician William Sealy Gosset in 1899, who achieved lasting fame under the pseudonym “Student” for techniques developed for Guinness, particularly Student’s t-distribution and the even more commonly known Student’s t-test.

Guinness brewed their last porter in 1974.

Guinness has also been referred to as “the black stuff” and as a “Pint of Plain” – referred to in the famous refrain of Flann O’Brien’s poem “The Workman’s Friend”: “A pint of plain is your only man.”

Quicksilver Messenger Service

43 years ago, in 1970, shortly after Kent State…

You poisoned my sweet water.

You cut down my green trees.

The food you fed my children

Was the cause of their disease.

My world is slowly fallin’ down

And the airs not good to breathe.

And those of us who care enough,

We have to do something…….

(Chorus)

Oh…….oh What you gonna do about me?

Oh…….oh What you gonna do about me?

Your newspapers,

They just put you on

They never tell you

The whole story

They just put your

Young ideas down

I was wonderin’ could this be the end

Of your pride and glory?

(Chorus)

I work in your factory

I study in your schools

I fill your penitentiaries

And your military too!

And I feel the future trembling

As the word is passed around

If you stand up for what you do believe

Be prepared to be shot down

(Chorus)

And I feel like a stranger

In the land where I was born

And I live like an outlaw

An’ I’m always on the run……..

And I’m always getting busted

And I got to take a stand……..

I believe the revolution

Must be mighty close at hand……..

(Chorus)

I smoke marijuana

But I cant get behind your wars

And most of what I do believe

Is against most of your laws

I’m a fugitive from injustice

But I’m goin’ to be free

Cause your rules and regulations

They don’t do the thing for me

(Chorus)

And I feel like a stranger

In the land where I was born

And I live just like an outlaw

An’ I’m always on the run

And though you may be stronger now, my time will come around.

You keep adding to my numbers, and you shoot my people down.

Don’t even ask.

Have some movie instead.

“Punting the Pundits” is an Open Thread. It is a selection of editorials and opinions from around the news medium and the internet blogs. The intent is to provide a forum for your reactions and opinions, not just to the opinions presented, but to what ever you find important.

Thanks to ek hornbeck, click on the link and you can access all the past “Punting the Pundits”.

Follow us on Twitter @StarsHollowGzt

Paul Krugman: Fiscal Fever Breaks

In 2012 President Obama, ever hopeful that reason would prevail, predicted that his re-election would finally break the G.O.P.’s “fever.” It didn’t.

But the intransigence of the right wasn’t the only disease troubling America’s body politic in 2012. We were also suffering from fiscal fever: the insistence by virtually the entire political and media establishment that budget deficits were our most important and urgent economic problem, even though the federal government could borrow at incredibly low interest rates. Instead of talking about mass unemployment and soaring inequality, Washington was almost exclusively focused on the alleged need to slash spending (which would worsen the jobs crisis) and hack away at the social safety net (which would worsen inequality).

So the good news is that this fever, unlike the fever of the Tea Party, has finally broken. [..]

Still, does any of this matter? You could argue that it doesn’t – that fiscal scolds may have lost control of the conversation, but that we’re still doing terrible things like cutting off benefits to the long-term unemployed. But while policy remains terrible, we’re finally starting to talk about real issues like inequality, not a fake fiscal crisis. And that has to be a move in the right direction.

New York Times Editorial Board: The Slow Demise of Capital Punishment

More states are coming to recognize that the death penalty is arbitrary, racially biased and prone to catastrophic error. Even those that have not abolished capital punishment are no longer carrying it out in practice. [,,]

As it becomes less frequent, the death penalty also becomes more limited to an extremely small slice of the country, and therefore all the more arbitrary in its application. All 80 death sentences in 2013 came from only about 2 percent of counties in the entire country, and all 39 executions – more than half occurred in Texas and Florida – took place in about 1 percent of all counties, according to a new report by the Death Penalty Information Center. Eighty-five percent of all counties have not had a single execution in more than 45 years.

This is your morning Open Thread. Pour your favorite beverage and review the past and comment on the future.

Find the past “On This Day in History” here.

December 30 is the 364th day of the year (365th in leap years) in the Gregorian calendar. There is one day remaining until the end of the year.

Today history was made in in Parson’s Kansas where the last roll of Kodachrome was processed at Dwayne’s Photo Shop, the only Kodak certified processor of Kodachrome film in the world as of 2010. The final roll of 36-frame Kodachrome to be manufactured was tracked by National Geographic; it was shot by photographer Steve McCurry.

PARSONS, Kan. – An unlikely pilgrimage is under way to Dwayne’s Photo, a small family business that has through luck and persistence become the last processor in the world of Kodachrome, the first successful color film and still the most beloved.

That celebrated 75-year run from mainstream to niche photography is scheduled to come to an end on Thursday when the last processing machine is shut down here to be sold for scrap.

One of the toughest decisions was how to deal with the dozens of requests from amateurs and professionals alike to provide the last roll to be processed.

In the end, it was determined that a roll belonging to Dwayne Steinle, the owner, would be last. It took three tries to find a camera that worked. And over the course of the week he fired off shots of his house, his family and downtown Parsons. The last frame is already planned for Thursday, a picture of all the employees standing in front of Dwayne’s wearing shirts with the epitaph: “The best slide and movie film in history is now officially retired. Kodachrome: 1935-2010.”

I have fond memories of my 35mm Yashika and Canon cameras.

Every war seems permanent as does every revolution until it ends which requires much in the way of interpreting rather than explaining the victory to the vanquished, even in mediated spaces that can digitally define cultural landscapes. How possible is it to consider Walter Benjamin’s  (http://www.digplanet.com/wiki/Theses_on_the_Philosophy_of_History) point on the failure of historical materialism “To articulate the past historically does not mean to recognize it ‘the way it really was.’ It means to seize hold of a memory as it flashes up at a moment of danger”? More specifically how do we treat cultural danger as presented in the (https://en.wikipedia.org/wiki/Meme) meme of “Culture War” and how can we incorporate Marxist analysis to remediate or reconcile the memories that emerge in momentary crisis that obscure the critically real history embodied and assess their actual danger or risk.

Landscapes have that same problem of memory, as actual experience of an expansive and contemplative view of a world or as saved representations of concrete and abstract journeys through those same worlds. The first is individually ontological whereas the latter is a social ontology representing and reproducing an historical relationship to others in a cultural context. Both involve human labor at various scales but it is the crises of value and meaning assigned to those experiences that inform global discourses of war and environment on an unprecedented scale and scope. Today’s culture wars find themselves waging these combative discourses in a media landscape (http://www.mediabistro.com/alltwitter/media-landscape_b37736) or Medienlandschaft.

The phrase culture war (https://www. en.wikipedia.org/wiki/Culture_war)represents a loan translation (calque) from the German Kulturkampf. The German word, Kulturkampf, was used to describe the clash between cultural and religious groups in the campaign from 1871 to 1878 under Chancellor Otto von Bismarck of the German Empire against the influence of the Roman Catholic Church. In American usage the term culture war is used to claim that there is a conflict between those values considered traditionalist or conservative and those considered progressive or liberal. It originated in the 1920s when urban and rural American values came into clear conflict. This followed several decades of immigration to the cities by people considered alien to earlier immigrants. It was also a result of the cultural shifts and modernizing trends of the Roaring 20s, culminating in the presidential campaign of Al Smith. However, the "culture war" in United States of America was redefined by James Davison Hunter’s 1991 book Culture Wars: The Struggle to Define America. In this work, it is traced to the 1960s. The perceived focus of the American culture war and its definition have taken various forms since then.

“The tradition of the oppressed teaches us that the ‘state of emergency’ in which we live is not the exception but the rule. We must attain to a conception of history that is in keeping with this insight. Then we shall clearly realize that it is our task to bring about a real state of emergency, and this will improve our position in the struggle against Fascism. One reason why Fascism has a chance is that in the name of progress its opponents treat it as a historical norm. The current amazement that the things we are experiencing are ‘still’ possible in the twentieth century is not philosophical. This amazement is not the beginning of knowledge–unless it is the knowledge that the view of history which gives rise to it is untenable.” Walter Benjamin (1940)

  In such historical landscapes who are “cultural workers” and what does cultural work as contrasted with cultural objects look like, is it different of the same as all kinds of work and what kinds of value does it produce or more directly can individuals produce “particular kinds of independent and critical reflexivity modelled on the autonomy of the work of art” (Bennett 2011, and Bennett 2009) Societies exist in such landscapes and their collective experiences are often organized or reproduced as mass spectacles, either actual or mediated and consumed in a variety of ways, often driven by tragedy or circumstance.

A well-ordered society would like the bodies which compose it to have the perceptions, sensations and thoughts which correspond to them. Now this correspondence is perpetually disturbed. There are words and discourses which freely circulate, without master, and which divert bodies from their destinations, engaging them in movements in the neighbourhood of certain words: people, liberty, equality, etc. There are spectacles which disassociate the gaze from the hand and transform the worker into an aesthete.

What kinds of spectacles effect these transformations? Do they bear a family resemblance to the manufacturing of consent where spectacles include all forms of mediated politics and of course the intersecting claims of “entertainment” as with Limbaugh the entertainer (“Okay, so I am an entertainer, and I have 20 million listeners”) as a form of reactionary cultural work. It would be easy to say the following if we could identify the “concrete historical context” and since there are multiple mediations, how would a dialectical method of analysis explain rather than merely interpret such products of culture with multiple tropes of cultural war contesting for domination.

In short, mass-mediated products are determined by various factors-the systems of ownership, the process of cultural production, the level of struggle, the state of consciousness in society at a given time, and so on. A dialectical method of analysis would involve studying all these factors within a concrete historical context so as to explain the multiple mediations that infuse a product of culture

For example, while dystopian, there are multiple ideologies at work in the following example of spectacular speculation where doomsday prepping and its media representations are in reality a capitalist industry that exploits the potential danger of refugees coming from cities to attack rural preppers in a variety of romanticized post-apocalypse scenarios. These narratives have a burgeoning market appealing to a variety of religious and political secessionists all with disposable income or transferable construction skills for survival. They become amplified by the seasonal and media driven rise in firearms purchases. All of these actions represent desires for a kind of aesthetic autonomy, however driven by social underdevelopment.  

Ron Douglas, for example, has gathered enough supplies to keep his eight person family (two parents, six children) functioning off the grid for a year. His supplies can be broken into four categories: food, energy, shelter, and protection. He’s become such an expert that he is one of the founders of Red Shed Media Group, a business that organizes Prepper expos (40,000 attendees at $10 a person), has a hugely popular podcast radio program, and owns the rights to successful survivalist books.

Under the fold the concrete becomes either more wet or more abstract                      

As the middle class declines, Bloomberg columnist Virginia Postrel suggests that television eliminates the need for higher wages.