December 2010 archive

This is your morning Open Thread. Pour your favorite beverage and review the past and comment on the future.

Find the past “On This Day in History” here.

December 28 is the 362nd day of the year (363rd in leap years) in the Gregorian calendar. There are three days remaining until the end of the year.

On this day in 1895, the first commercial movie is screened in Paris.

On this day in 1895, the world’s first commercial movie screening takes place at the Grand Cafe in Paris. The film was made by Louis and Auguste Lumiere, two French brothers who developed a camera-projector called the Cinematographe. The Lumiere brothers unveiled their invention to the public in March 1895 with a brief film showing workers leaving the Lumiere factory. On December 28, the entrepreneurial siblings screened a series of short scenes from everyday French life and charged admission for the first time.

Movie technology has its roots in the early 1830s, when Joseph Plateau of Belgium and Simon Stampfer of Austria simultaneously developed a device called the phenakistoscope, which incorporated a spinning disc with slots through which a series of drawings could be viewed, creating the effect of a single moving image. The phenakistoscope, considered the precursor of modern motion pictures, was followed by decades of advances and in 1890, Thomas Edison and his assistant William Dickson developed the first motion-picture camera, called the Kinetograph. The next year, 1891, Edison invented the Kinetoscope, a machine with a peephole viewer that allowed one person to watch a strip of film as it moved past a light.

In 1894, Antoine Lumiere, the father of Auguste (1862-1954) and Louis (1864-1948), saw a demonstration of Edison’s Kinetoscope. The elder Lumiere was impressed, but reportedly told his sons, who ran a successful photographic plate factory in Lyon, France, that they could come up with something better. Louis Lumiere’s Cinematographe, which was patented in 1895, was a combination movie camera and projector that could display moving images on a screen for an audience. The Cinematographe was also smaller, lighter and used less film than Edison’s technology

The Lumière brothers, Auguste Marie Louis Nicolas (19 October 1862, Besancon, France – 10 April 1954, Lyon) and Louis Jean (5 October 1864, Besancon, France – 6 June 1948, Bandol), were among the earliest filmmakers in history. (Appropriately, “lumière” translates as “light” in English.)

(In) 1862 and 1864, and moved to Lyon in 1870, where both attended La Martiniere, the largest technical school in Lyon. Their father, Claude-Antoine Lumière (1840-1911), ran a photographic firm and both brothers worked for him: Louis as a physicist and Auguste as a manager. Louis had made some improvements to the still-photograph process, the most notable being the dry-plate process, which was a major step towards moving images.

It was not until their father retired in 1892 that the brothers began to create moving pictures. They patented a number of significant processes leading up to their film camera – most notably film perforations (originally implemented by Emile Reynaud) as a means of advancing the film through the camera and projector. The cinèmatographe itself was patented on 13 February 1895 and the first footage ever to be recorded using it was recorded on March 19, 1895.

Their first public screening of films at which admission was charged was held on December 28, 1895, at Salon Indien du Grand Cafè in Paris. This history-making presentation featured ten short films, including their first film, Sortie des Usines Lumière a Lyon (Workers Leaving the Lumière Factory). Each film is 17 meters long, which, when hand cranked through a projector, runs approximately 50 seconds.

Yes, Republicans Are And Always Have Been Hypocritical      



Earmarks Are Pork Barrel Spending So Let Us Pursue Them With Gutso

No one was more critical than Representative Mark Steven Kirk when President Obama and the Democratic majority in the Congress sought passage last year of a $787 billion spending bill intended to stimulate the economy. And during his campaign for the Illinois Senate seat once held by Mr. Obama, Mr. Kirk, a Republican, boasted of his vote against “Speaker Pelosi’s trillion-dollar stimulus plan.”

Though Mr. Kirk and other Republicans thundered against pork-barrel spending and lawmakers’ practice of designating money for special projects through earmarks, they have not shied from using a less-well-known process called lettermarking to try to direct money to projects in their home districts.

Mr. Kirk, for example, sent a letter to the Department of Education dated Sept. 10, 2009, asking it to release money “needed to support students and educational programs” in a local school district. The letter was obtained under the Freedom of Information Act by the group Citizens Against Government Waste, which shared it with The New York Times.

Charlie and the Chocolate Factory.  Glenn Gould on American Masters (he was Canadian dudes), other than that not a lot of premiers.  No Keith this week (nor Jon or Stephen).  No Lawrence! (I never thought I’d be glad for Prison Porn, but some things are worse).  Adult Swim gets an extra hour at 9 pm which they are using for King of the Hill and replacing it at 10 pm with American Dad.

Sure’n I hope that your considerin’ the future Mr. Eastwood.

I think about it all the time.

• ABC Family– Home Alone 2: Lost in New York
• AMC– Back to the Future, Back to the Future Part II
• Disney– Legally Blondes
• Discovery– Sr. v. Jr. (premier)
• ESPN– Throwball Saints @ Falcons
• ESPN2– College Throwball, Independence Bowl: Air Force v. Georgia Tech; College Hoopies, Connecticut @ Pittsburgh
• FX– White Chicks x 2
• History– Pawn Stars, American Pickers (premier)
• Lifetime– Acceptance, Nora Roberts’ Angels Fall
• National Geographic– Dog Whisperer marathon (with premier)
• Oxygen– Barbershop x 2, Something New
• Sci Fi– Elf (aren’t we done with this already?), Ice Quake
• Spike– Band of Brothers marathon
• TBS– Family Guy night
• Turner Classic– Breakfast at Tiffany’s, Days of Wine and Roses
• TLC– Cake Boss (last week’s and new), Chocolate (premier)
• TNT– The Closer (last week’s and new), Men of a Certain Age (premier)
• Travel– Dining with Death (premier)
• TV Land– Independence Day
• Vs.– Wild @ Blue Jackets

Later-

• AMC– Back to the Future Part III, Life
• FX– Just Married
• Sci Fi– Street Fighter Alpha
• Style– The Bridges of Madison County
• Turner Classic– The Pink Panther

Dave in repeats, 12/7.  Alton has a hour long special, Down & Out in Paradise.  Conan in repeats from 11/9

Marty, the future isn’t written. It can be changed, you know that. Anyone can make their future whatever they want it to be. I can’t let this one little photograph determine my entire destiny. I have to live my life according to what I believe is right in my heart.

Evening Edition is an Open Thread

1 Russia finds Khodorkovsky guilty in second trial

by Olga Rotenberg, AFP

1 hr 50 mins ago

Michael Hudson is President of The Institute for the Study of Long-Term Economic Trends (ISLET), a Wall Street Financial Analyst, Distinguished Research Professor of Economics at the University of Missouri, Kansas City and is the author of “Super-Imperialism: The Economic Strategy of American Empire” (1968 & 2003), “Trade, Development and Foreign Debt” (1992 & 2009) and of “The Myth of Aid” (1971).

ISLET engages in research regarding domestic and international finance, national income and balance-sheet accounting with regard to real estate, and the economic history of the ancient Near East. Michael acts as an economic advisor to governments worldwide including Iceland, Latvia and China on finance and tax law.

Here Hudson talks with The Real News Networks’ Paul Jay about the 800+ empire of military bases the U.S. has established around the globe, about how all of the money that the military spends abroad is spent on foreign economies and is then “siphon[ed] up into the central banks. And the central banks would have nothing to do with these dollars but to keep their currency stable by recycling the dollars into US Treasury bills.” and about how “If it weren’t for the military deficit, America would have had to finance its own domestic budget deficit. It’s been foreigners that are financing the budget deficit.”

Hudson concludes here with the observation that “Now that foreigners are essentially saying, we don’t want any more dollars, we’re not going to fund your deficit, all of a sudden they think: who’s going to fund the deficit if not foreign central banks? The answer is: American labor, the American middle class and working families are going to fund it, not the military.”

The rest of the world has had enough of financing it’s own encirclement and subjugation by the U.S. military.

From here on in it is you who is going to be paying the bill…

“Punting the Pundits” is an Open Thread. It is a selection of editorials and opinions from around the news medium and the internet blogs. The intent is to provide a forum for your reactions and opinions, not just to the opinions presented, but to what ever you find important.

Thanks to ek hornbeck, click on the link and you can access all the past “Punting the Pundits”.

Paul Krugman: The Finite World

Oil is back above $90 a barrel. Copper and cotton have hit record highs. Wheat and corn prices are way up. Over all, world commodity prices have risen by a quarter in the past six months.

So what’s the meaning of this surge?

Is it speculation run amok? Is it the result of excessive money creation, a harbinger of runaway inflation just around the corner? No and no.

What the commodity markets are telling us is that we’re living in a finite world, in which the rapid growth of emerging economies is placing pressure on limited supplies of raw materials, pushing up their prices. And America is, for the most part, just a bystander in this story.

Robert Kuttner: No Connection: Obama’s Tax Deal and the Lame Duck Congress’s Victory Week

President Obama and the late Democratic Congress had a terrific valedictory week. Obama reminded us of the leader whom we elected. His December 22 press conference was one of his best performances as president.

Democratic senators rose to rare heights of leadership.

Obama seems to rally mainly when his back is against the wall, after much damage has already been done. But unlike his 2008 election victory, the prior damage cannot be undone this time by one heroic come-from-behind sprint. Next week, Republicans will formally take over the House thanks to the 2010 midterm election debacle, and they will make their 2009-2010 brand of obstruction seem tame.

What’s astonishing is that the several unlikely legislative wins were accomplished in the waning days of the lame-duck session, when Republicans had every possible motivation to obstruct. Yet somehow, more difficult legislating was done by the Senate in the final week of the session than was done in the whole prior year, when Democrats had a much more secure majority. How do we explain that?

E.J. Dionne Jr.: Don’t spin the Civil War

The Civil War is about to loom very large in the popular memory. We would do well to be candid about its causes and not allow the distortions of contemporary politics or long-standing myths to cloud our understanding of why the nation fell apart. . . . .

Why does getting the story right matter? As Mississippi Gov. Haley Barbour’s recent difficulty with the history of the civil rights years demonstrates, there is to this day too much evasion of how integral race, racism and racial conflict are to our national story. We can take pride in our struggles to overcome the legacies of slavery and segregation. But we should not sanitize how contested and bloody the road to justice has been. We will dishonor the Civil War if we refuse to face up to the reason it was fought.

Brilliant original economic insight (not that I ever have any) is in short supply this morning, but perhaps there will be some later if I collect my thoughts.  In the mean time here are the Business News headlines and TheMomCat has a very good interview with Roubini which will follow soon.

1 Chinese web users sceptical on inflation-busting moves

by Susan Stumme, AFP

Mon Dec 27, 2:34 am ET

This is your morning Open Thread. Pour your favorite beverage and review the past and comment on the future.

Find the past “On This Day in History” here.

December 27 is the 361st day of the year (362nd in leap years) in the Gregorian calendar. There are four days remaining until the end of the year.

On this day in 1932, Radio City Music Hall opened in New York City.

The 12-acre complex in midtown Manhattan known as Rockefeller Center was developed between 1929 and 1940 by John D. Rockefeller, Jr., on land leased from Columbia University. The Radio City Music Hall was designed by architect Edward Durell Stone and interior designer Donald Deskey in the Art Deco style. Rockefeller initially planned a new home for the Metropolitan Opera on the site, but after the Stock Market Crash of 1929, the plans changed and the opera company withdrew from the project.

Its originally planned name was International Music Hall. The names “Radio City” and “Radio City Music Hall” derive from one of the complex’s first tenants, the Radio Corporation of America. Radio City Music Hall was a project of Rockefeller; Samuel Roxy Rothafel, who previously opened the Roxy Theatre in 1927; and RCA chairman David Sarnoff. RCA had developed numerous studios for NBC at 30 Rockefeller Plaza, just to the south of the Music Hall, and the radio-TV complex that lent the Music Hall its name is still known as the NBC Radio City Studios.

The Music Hall opened to the public on December 27, 1932 with a lavish stage show featuring Ray Bolger and Martha Graham. The opening was meant to be a return to high-class variety entertainment. The new format was not a success. The program was very long and individual acts were lost in the cavernous hall. On January 11, 1933, the Music Hall converted to the then familiar format of a feature film with a spectacular stage show which Rothafel had perfected at the Roxy Theatre. The first film was shown on the giant screen was Frank Capra’s The Bitter Tea of General Yen starring Barbara Stanwyck and the Music Hall became the premiere showcase for films from the RKO-Radio Studio. The film plus stage spectacle format continued at the Music Hall until 1979 with four complete performances presented every day.

By the 1970s, changes in film distribution made it difficult for Radio City to secure exclusive bookings of many films; furthermore, the theater preferred to show only G-rated movies, which further limited their film choices as the decade wore on. Regular film showings at Radio City ended in 1979. Plans were made to convert the theater into office space, but a combination of preservation and commercial interests resulted in the preservation of Radio City and in 1980, after a renovation, it reopened to the public.

Radio City Music Hall is currently leased to and managed by Madison Square Garden, Inc. Movie premieres and feature runs have occasionally taken place there but the focus of the theater throughout the year is now on concerts and live stage shows. The Radio City Christmas Spectacular continues to be an important annual event. The Music Hall has presented most of the leading pop and rock performers of the last 30 years as well as televised events including the Grammy Awards, the Tony Awards, and the MTV Music Awards.

It’s A Good Thing Republicans Are Paranoid  



That Way They Can Hate All Those Not Like Them

When Republican lawmakers take over the House and gain strength in the Senate after the new year, a decadelong drive to overhaul the immigration system and legalize some of the estimated 11 million undocumented migrants seems all but certain to come to a halt.

When New York Republican Peter T. King takes over the House Homeland Security Committee in January, he plans to propose legislation to reverse what he calls an “obvious lack of urgency” by the Obama administration to secure the border.

Among other initiatives, King wants to see the Homeland Security Department expand a program that enlists the help of local police departments in arresting suspected illegal immigrants.

Dr. Nouriel Roubini, the chairman and co-founder of Roubini Global Economics and professor of Economics at NYU’s Stern School of Business, joined Rachel Maddow for a two part interview on the economic state of the US economy. What he had to say was not encouraging. The transcripts to both segments are below the fold.

The 3rd segment was on-line only. It was diaried here: Dr. Doom: Nothing Has Changed